Всички преводи

Considérée comme éteinte dans la majeure partie de son habitat, cette espèce d'oiseau est l'une des merveilles de la forêt amazonienne. La déforestation fait des ravages. Imaginez 36 terrains de football : c'est la superficie de forêt tropicale qui disparaît chaque minute... Brésil, champion du monde... de la déforestation.

BELO MONTE: UNE GUERRE QUE NOUS NE DEVONS PAS PERDRE
Le jugement interdisant le barrage a été cassé en faisant appel à une mesure de sécurité Nationale datant de la dictature militaire et conçue pour être utilisée en temps de guerre! Ouvrons les yeux, le Brésil de Dilma Rousseff est en guerre contre tous ceux qui veulent préserver le Poumon de la Terre, vous compris.

Et la communauté internationale ne dira rien. Trop d'intérêts économiques liés. C'est à nous de nous opposer à cette mascarade. Le peuple a encore le pouvoir de faire plier les puissants. Le mouvement populaire des citoyens du monde grandit. Nous allons donner l'exemple en organisant dans 15 jours un grand rassemblement citoyen à Paris.

By recreating themselves, artists transcend their time and place and now Salim has endeavored to overlook the life in his hometown, Tehran, by composing his 6th album, namoWoman. An instrumental avant-prog and prog metal album, namoWoman hires microtonal Persian music influences while introducing a newly constructed language (conlang) named "l3abEl" (pronounced Babel) in which the album’s booklet is written.

Salim is a man of extremities while always seeking reconciliation and harmonization among the most remotely contradictory elements. So developing as a rock/metal artist in a rock alien environment in his hometown or expressing himself by personalized mediums like a conlang of his own, all come natural to his lifestyle. In his 2012 album, Salim has hired an expressionist microtonal approach toward art rock/metal that he describes himself as "empty spaces filled with occasional wild electric guitars and expressive melodies while having oriental dance elements undercover".

About the concepts behind namoWoman composition, Salim says "I have always found the assumption of impossibility an important trick against my mind – a human mind that usually prefers patterned and inductional methods of cognition." Salim adds: "As an artist, creating and experimenting with yet unexplored mental realms has always fascinated me and in order to trick my mind into pushing toward new possibilities, I like experimenting around fundamental concepts like human sexuality. Ideas like considering human sexuality beyond its dualistic nature let me to enter a new mindset and fascinations about worlds of non-Carbon based life, gradually fed my creativity for namoWoman. Maybe I can say this mindset forced my mind to respond on vital levels and challenge its own existence…"

The album cover features Carvaggio’s painting of Medusa, which according to Sigmund Freud is "the supreme talisman who provides the image of castration". Salim says: "namoWoman cover design is a symbolic representation as if the way of transforming dualistic conceptuality passes through castrating one’s sexual identity and reconstructing it anew. All songs in this album appear as perspectives of such creative realms".

Here, Persian music quarter tones are coming in between western music intervals – as Salim has outlined in a music theory article on his website, "Persian Modes: Reading Between the Lines of Western Music". While quarter tones harmonize namoWoman album’s musical language, the l3abEl conlang accompanying its booklet tries to establish the harmony in realm of words.

namoWoman is available in digital and CD format at www.salimworld.com/album-namowoman.htm

Bonjour Bryan,
Je suis content d'avoir de tes nouvelles.Je suis un homme de 62 ans,j'ai un fils qui se nomme Martin.Je demeure à Montréal,Québec,Canada.Je travaille comme dentiste et j'ai ma propre clinique.J'aime jouer au tennis et voyager.Et toi?Tu vas à l'école?Tu as des frères?Es-tu sportif?Dis bonjour â tes parents et toute ta communauté.

worthless
socially unfit
a failed creation
in despair
in solitude
garbage
filth
disfigured
ugly


Now
I am living
So
I want to express myself

The screams unlike any other, take form

The ones that are labeled “worthless” are the ones that have nothing to be afraid of

I express myself to live
I live to express myself

This is one worthless man’s proof of existence

I'm so tired of being lonely...

Mi amor, te echo de menos. Espero que nos veamos pronto. Te quiero mucho, gordito.

तुमको पाया है, तो जैसे खोया हूँ
कहना चाहू भी तो तुमसे क्या कहूँ
तुमको पाया है, तो जैसे खोया हूँ
कहना चाहू भी तो तुमसे क्या कहूँ

किसी जुबां में भी, वो लफ्ज ही नही
की जिन में तुम हो क्या तुम्हे बता सकूं
में अगर कहूं तुम सा हसीं
कायनात में नही है कही
तारीफ यह भी तो, सच है कुछ भी नहीं
तुमको पाया है, तो जैसे खोया हूँ

Me duele la muela del juicio.

دوست عزیزم خوشحال هستم از اینکه خوب هستی و روز خوبی را در منزل دوستانت داشته ای . ما هم دلمان برای تو تنگ شده و همیشه به یادت هستیم . بچه ها هم خوب هستند و اینجا را دوست دارند و به تو سلام میرسانند. ما تا آخر آگوست اینجا هستیم و بعد از آن به خانه برمیگردیم . با من در تماس باش . به دکتر فاتیما سلام برسان و برایت بهترینها را آرزو دارم . دلتنگت هستم . مراقب خودت باش.

Estás em meu corpo como uma tatuagem e em minha alma como uma prece

This setting ensures that a buyer's project does not get a deadbeat provider delaying the project. This setting automatically resets the buyer's project to open if there is any time left and respectively declines the provider's awarded bid so others can become awarded.

Встану я в утро туманное,
Солнце ударит в лицо.
Ты ли, подруга желанная,
Всходишь ко мне на крыльцо?

Настежь ворота тяжелые!
Ветром пахнуло в окно!
Песни такие веселые
Не раздавались давно!

С ними и в утро туманное
Солнце и ветер в лицо!
С ними подруга желанная
Всходит ко мне на крыльцо!

Älskling, inga ord u världen kan förklara hur mycket jag älskar dig. Du är mitt blod, mina lungor mina ögon, mins händer och mitt hjärta. Du är den underbaraste människa jag någonsin mött. Mitt liv med dig är och kommer förbli magiskt för all evighet.